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Party Monster 2003

This is the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate...

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Imdb rating: 6.2

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Just read the book this is based off of for my monthly book club choice. The movie is right on par, and definitely a nice addition if you enjoyed the book.
Michael Alig was just released from prison, so I watched Party Monster to learn about him. A good movie about a strange time, and kind of people. 7/10
Love it... see my journal entry...
I know every night seems like a movie night for the J-Man and the Megster. Wednesday night was no different. We rented Jane Campion's disasterous In the Cut and the intruiging yet long-winded Party Monster starring Macaulay Culkin and Seth Green.

In the Cut (Campion, 2003) - 1/2*
Jane Campion directed The Piano in the early 90s and became one of the most acclaimed female directors of all time. My consensus, on the other hand, is that SHE SUCKS!!! She is, by definition, the female John Woo. She isn't japanese, but she is the WORST female director EVER (and John Woo is the worst male director of all time). Here is my reasoning... Campion covers up the fact that she can't tell a decent story by tricking Hollywood A-list actors into getting naked for her so-called artistic vision. She knows how to make her films look pretty, but her characters are completely annoying. Meg Ryan holds her own in an utterly pointless role, shedding her romantic comedy image as well as her clothes. Yesterday, I put down Robert Altman's The Company for lacking any redeemability. I apologize Mr. Altman. The award goes to you, Miss Campion. In the words of the sexy Megster, "I bet Jane is a slut."

Party Monster (Bailey & Barbato, 2003) - **
I was expecting absolutely nothing going into this film. I knew nothing about the "club kid" phenomenon or the true story of Michael Alig. Leaving the movie, I am still not sure if I know anything. BUT I feel as if that is a good thing. The film is alright in its storytelling and low budget filmmaking techniques, but it is thirty minutes too long. The acting is beautifully over-the-top, and a cameo by John Stamos (of Uncle Jesse fame) as a television talk show host adds to the film's uniqueness. The directors obviously love their film so much (they made a documentary about the same story a few years before) that they never let it truly evolve into cinema. Director Robert Rodriguez also had this problem in last year's Once Upon a Time in Mexico. Some directors are unable to interpret their film properly, and that is what keeps me from completely recommending Party Monster. But don't get me wrong, there is brilliance to the film, but it is garbled between sequences of tediosity.
I needed to give this movie a 4 because of the crappy acting job by Macauley Caulkin. ugh! It was like watching a high school student act in his first play. I was into the rave scene between '93 and '96 which is what drew me to the movie but jeez, terrible acting on his part. Seth Green by the way was fantastic!!
Going to watch Wonderland next...



I've gotta admit, I'm a sucker for colorful, ultra-stylish flicks, in the vein of Greg Araki and, in that sense, Party Monster appealed to me. While this film is not near the quality of any of Araki's work, I still enjoyed it quite a bit.
This is not say that this is a great movie, it's not. However, while I can't say I'm personally familiar with the New York club scene, circa 1988-1996, I did think the directors kept a cohesive feel to the piece that struck me as authentic.
Not everyone will like this movie, I'm willing to say most people won't. However, it did keep my interest both in story and visually. The acting was decent, though it is still difficult to take Macaulay Culkin too seriously. Marilyn Manson, on the other hand, did a fantastic job in his role as Christina, which is almost worth renting the movie for, in and of itself.



Had wanted to see this movie and finally got around to renting it last night. I know many critics didn't think too much of it, but I liked it well enough. At least it kept my interest.

Based on a true story and the book "Disco Bloodbath" by James St. James, and directed by Fenton Bailey and Randy Barbato ("The Eyes Of Tammy Faye"). The hedonistic world of 1980s club culture is effectively portrayed here. The costumes and music were great.

Macaulay Culkin digs in to the role of Michael Alig, his first since the 1994 release "Richie Rich". Alig, a midwestern bred boy, who always felt different and never really "fit in", moves to New York City in search of a life unlike those of the "normals" or "drearies" as he calls them... he wants "fabulousness" as well as love and acceptance.

Enter James St. James, played to the hilt by Seth Green. In fact, Green steals this movie right from under Culkin. James introduces Michael to the club scene, which he takes to like a duck to water. Dylan McDermott portrays Peter Gatien, club impresario, owner of "Limelight" with whose help Alig soon outshines "original club kid" St. James, as his parties become quite the attraction, Michael setting out to create "a world of color, where everyone could play", using Andy Warhol's Factory as a template.

Alig sets himself on a downward spiral, doing more drugs than I thought it possible for a human to consume...culminating in the murder of Angel Melendez (played by "Party of Five"'s Wilson Cruz), a drug dealer / hanger on after a dispute about drugs and money. Alig and a fellow clubber Freez, bludgeon Angel with a hammer, and he is then smothered and his veins injected with liquid drainer. Alig's boasting on a television talk show, as well as the discovery of a washed up cardboard box containing the legless body of Angel led to his arrest and imprisonment.

The film's supporting roles were well cast. Chloe Sevigny ("American Psycho") as Alig's "girlfriend" Gitsie, Wilmer Valderrama ("That 70s Show") as Alig's "boyfriend" Keoki, Diana Scarwid ("Mommie Dearest") as Michael's mother, and Marilyn Manson in a turn as the stumbling, drug addled Christine.

This is making me want to check out the "Shockumentary" released in 1999, also by Bailey and Barbato which I've been told is a *much* better and more compelling telling.
Films between March 14, 2004 - March 18, 2004.
This movie was good, but very disturbing.


I'd actually give this a 6.5,
but MEMO to whomever hasn't seen this::

You may want to view Party Monster: A Shockumentary before
the movie itself, because it will fill in the gaps for events and such.
Seth Green is surprisingly good as James St. James,
but Culkin and the rest of the cast ham it up mildly, which despite being
true to the film, does hamper it.

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